Mike Robinson on Daguerreotypes
The Canadian Globe and Mail ran a delightful article about daguerreian champion Mike Robinson this morning. The article contains the usual superficial explanation of the process though this time surprisingly close to accurate. Also included is a pleasant insight into Mike’s passion for the process and the medium:
Yet, to his eye, none of those technologies have been able to yield the tonal richness of Daguerre’s process.
“The history of photography has been built on convenience, but there’s nothing today that can compete with the quality of the image,” he says. “The way the daguerreotype gives back the light it gets is remarkable.” (emphasis added)
Mr. Robinson is a long-time practitioner of the daguerreotype craft. He has been responsible for some of the greatest daguerreian works to be produced in this century and the last. I have only met Mike in person on one occasion but I am pleased to report that he is an intelligent, congenial type that I’m honored to know.
Mike Robinson is a daguerreotypist living in Toronto, Canada. Mike teaches workshops in the mercury method of daguerreotypie and offers portrait sessions at his studio. If you are interested in learning the craft (especially the Mercury method), Mike is one of the best out there.
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Pictorico OHP Transparency Film
Earlier this year I posted a little tutorial about how I make contact prints on daguerreotypes. I buy a few packs of the Premium OHP Transparency Film (TPU-100) a year so I have been signed up on their mailing list for some time. An update hit my mailbox today that has links to ICC Profiles for the various media sold and a nice testimonial by artist Christopher James.
I haven’t made any elaborate curve adjustments for the printing media for making daguerreotypes. The most I have done is to desaturate a bit and reduce contrast. Usually I’ll lighten the red channel to counteract the orthochromatic nature of the daguerreotype but this is purely done by eye.
Ruminations on Safely Sealing Daguerreotypes
I have had the opportunity recently to purposefully “age” some daguerreotypes for a client. I will elaborate more on this process in the future but I’d like to share some related information about daguerreotype protection. The surface of a daguerreotype is very fragile as you can see in my video “How to Destroy a Daguerreotype.”
Protection from physical danger is essential but it’s only half the battle. Chemical corrosion is also an enemy. Protection from airborne chemical contaminants is very important for the longevity of the image. You need to seal off the daguerreotype from (more…)
Sulfide Contamination. I have a new favorite kind of paper.
My workshop is a glorified toolshed in my backyard. I love it very much but it is not without its shortcomings. When I bought the workshop I had to install power, lights, a floor, shelves, storage air conditioner, fume hood, dark “room”, etc. One of the worst problems with the workshop is the lack of environmental control due to it being, well, an uninsulated toolshed.
I live in North Carolina and let me tell you that the summers hear are murder. If it isn’t hot, it’s humid. Often it’s both. The current temperature of my workshop as I write this is 84F. I’m unsure of the humidity but my shirt is decidedly moist.
One of the big problems with humidty other than discomfort is the danger of contamination of my materials. Did you mom ever make you polish the silver? Well let me tell you that the black stuff you worked so hard to remove is caused by sulfur contamination… and the air is full of it (among other things). Silver is not alone in its susceptibility to corrosion… copper, brass, and countless other materials are ill-suited to storage in my workshop.
I made the mistake of storing some freshly (and exhaustingly) polished copper plates in the workshop for a few days. After polishing (more…)